Behringer's Hidden Gem

Not just 80's tones

There’s a certain joy in stumbling across gear that punches well above its weight class, and the Behringer UC200 Ultra Chorus is absolutely one of those hidden gems. Sitting comfortably in that unmistakable citrus-coloured plastic enclosure, it might not scream “boutique tone” at first glance—but what it does scream is value.

At first glance, it’s clear that the UC200 is taking some heavy inspiration from the Boss CH-1 Super Chorus. It shares the stereo output, the familiar layout, and that bright, airy character that’s become a staple of 80s shimmer and jangle. But where the Boss might run your wallet a little ragged, this little Behringer sits firmly in the “loose change” category of pedal prices. And, perhaps surprisingly, it’s more than just a knock-off with good intentions.

Surprisingly Serious Chorus

One of the standout features of the UC200 is the inclusion of a dedicated EQ control, something that even some more expensive chorus pedals leave out. It allows you to dial in a warmth that’s often lost with budget modulation units, especially ones leaning too hard into that bright, glassy character. Whether you're after that syrupy analogue swirl or something more hi-fi and defined, the UC200 has the range to deliver.

Sure, the casing is plastic—but that shouldn’t necessarily be a red flag. It’s sturdier than you’d think, and let’s be honest: for the price, you’re not going to cry if it takes a knock or ends up wearing someone else’s pint mid-gig. It’s built with function in mind, not flash.

Budget Brilliance

Going into this, I expected “budget chorus tones,” something passable and usable, but not much more. What I actually got was far better: rich, lush chorus that genuinely surprised me. In mono it does a solid job, but run it in stereo and things open up beautifully—giving you that expansive, airy spread that makes you want to write a 12-string power ballad immediately.

Try It Before You Mock It

If you’re just dipping your toes into the world of modulation and don’t fancy parting with serious cash just to try out a chorus, the Behringer UC200 is a fantastic starting point. It’s dirt cheap, does a great job emulating a classic sound, and gives you enough tonal shaping to make it your own.

No, it’s not going to win any pedalboard beauty contests, and no, you’re not going to impress boutique snobs with it—but your audience won’t care. They’ll just hear the sound, and the UC200 delivers where it counts.

Definitely one to keep an eye out for—especially if you’re building a board on a budget and want great tone without the premium price tag.

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